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Archive for March, 2011

Open Opera’s Spring Salon Recital Series

Wednesday, March 30th, 2011



Nicolai Janitzky, baritone
James Meredith, piano

March 26, 2011, 2 p.m.

Serenata (text by G. A. Cesareo)
Ideale (text by Carmelo Enrico)
L’ultima canzone (text by Francesco Cimmino)
Music by Francesco Paolo Tosti (April 9, 1846 – December 2, 1916)

Die Todesahnung … O du mein holder Abendstern, Tannhäuser
Music and text by Richard Wagner (May 22, 1813 – February 13, 1883)

At the noisy ball (text by Aleksei K. Tolstoy)
None but the lonely heart (text by L.A Mey after Wolfgang von Goethe)
Don Juan’s Serenade (text by Aleksei K. Tolstoy)
Music by Pyotr Ilyich Tchaikovsky (May 7, 1840 – November 6, 1893)

Cavatina from Aleko, Aleko
Sergei Vasilievich Rachmaninoff (April 1, 1873 – March 28, 1943)

Don Quixote to Dulcinea (text by Paul Morand)
Chanson romanesque
Chanson épique
Chanson à boire
Music by Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937)

Nicolai Janitzky is a native of Northern California. His recent engagements include Shchelkalov in Boris Godunov with San Francisco Opera, Baron Douphol in La Traviata with San Diego Opera, Marcello in La Boheme with Sacramento Opera, Belcore in L’Elisir d’Amore with Bear Valley Music Festival, Guglielmo in Cosi fan Tutte with Opera Idaho, and Silvio in I Pagliacci with Livermore Valley Opera. Other roles he has sung include the title roles in Eugene Onegin and Pélleas et Mélisande, Valentin in Faust, Count Almaviva in The Marriage of Figaro, and Papageno in The Magic Flute. He has also worked at Washington National Opera, New York City Opera, and Glimmerglass Opera. He is an active recitalist, and has performed in such venues as Carnegie (Weill) Hall in New York City, the Kennedy Center in Washington, D.C., and the Cleveland Institute of Music Art Song Festival. He is the winner of several competitions including the George London Foundation, Sullivan Foundation, and Opera Index Foundation. He has also been a finalist in the Operalia (Placido Domingo) Vocal Competition. He studied at the Yale University Opera Program and the Music Academy of the West.

One of the San Francisco Bay Area’s most well-rounded musicians, James Meredith conducts the country’s acclaimed Sonos Handbell Ensemble. A native of North Carolina, Mr. Meredith received his Bachelor of Arts degree from the University of North Carolina at Chapel Hill and a Master of Fine Arts degree from Tulane University. He is a musical partner with mezzo-soprano Frederica von Stade and dramatic soprano Olivia Stapp. As a solo pianist, vocal and instrumental accompanist and conductor in America, Europe and Asia, his work has brought him into contact with such artists as Elly Ameling, Elizabeth Schwarzkopf, Eleanor Steber, Evelyn Lear and Gerald Moore for whom he has played masterclasses. For four years Mr. Meredith was assistant to pianist Dalton Baldwin in summer art song master classes at the French Conservatory in Nice. Concerts with Ms. Von Stade included an appearance on Garrison Keillor’s “A Prairie Home Companion,” reaching a National Public Radio audience of over two million listeners, and two concerts with Sonos in a premiere of Libby Larsen’s “Hell’s Belles.” He has been conductor of the Oakland Symphony Chorus, was on the faculty of Merritt College, taught master classes at Holy Names College and San Jose State University and was Festival Opera chorus master for two seasons. Mr. Meredith has been teaching, accompanying and coaching students for the Young Musicians Program at UC Berkeley for 14 years. His voice students are winners of many competitions and have gone for advanced degrees at top-ranked universities and conservatories, many on scholarships. He is on the board of directors for the San Francisco Girls Chorus, the Pacific Musical Society and the Young Peoples Symphony Orchestra.


• 5/7/11 Concert in the Park, Dimond Recreation Center and Park, Oakland 3 p.m.
• 5/21/11 Concert in the Park, Live Oak Park, Berkeley 3 p.m.
• 6/4/11 Annual Celebration and Concert, Berkeley Piano Club, Berkeley 11 a.m.
• 7/9-10/11 & 7/16-17/11 Mozart’s Cosi fan tutte, fully staged with orchestra
John Hinkel Park, Berkeley 3 p.m.
• 7/31/11 Concert in the Park, Orinda (Sponsored by the Orinda Rotary) 4 p.m.

for more information please visit OpenOpera.net
Open Opera is a project of Vocal Arts Institute, a CA 501 (c) 3 organization
EIN 68-0339528

Open Opera brings free professional opera to Bay Area parks and builds community through the arts.

Relief for Japan: Samaritan’s Purse

Friday, March 18th, 2011

Samaritan’s Purse is sending more the 90 tons of emergency aid to Japan.

The Magic of Singing Tips and Tricks for Developing your Singing Voice by Lucy Beck

Friday, March 18th, 2011


Tips and Tricks to Developing your Singing Voice is written for any singer, voice teacher or choral director.

From the first page, you step into a friendly voice studio, and through the course of this almost pocket-sized book, learn how your voice works, and how to approach learning to sing with your own unique voice.

Starting with a solid and easy to understand basis of anatomy for singing, you quickly move to a question and answer format for most of the book, such as “Can I extend my range, and “How do I sing with more tone and less air?”, with a short explanation of how that works in the voice. Whimsical cartoons throughout the book keep you engaged and enjoying the process.

Yes, there is magic in singing and this book gives you plenty of tips and tricks to start developing your own beautiful and magical voice.

What are Voice Teachers saying about The Magic of Singing?

Wendy Hillhouse - Mezzo-soprano, recent co-chair of the San Francisco Conservatory of Music
“Lucy Beck’s little book, The Magic of Singing is WONDERFUL. It has charming drawings so it looks like a book for young people, but it’s not childish at all. It is simply the best summary of how we sing, in language that is easy to read and understand, that I have ever seen. Lucy’s background in science enables her to explain complicated stuff simply and clearly and, as far as I can tell, correctly. But the singer in Lucy also understands and includes the magic (note book title) and sheer joy in discovering how to sing. It’s perfect for every voice student of every age, their parents and spouses, as well as for choristers who would like to be able to differentiate good vocal advice from bad. Check it out.”
Wendy Hillhouse


Audition Announcement for the role of Despina

Friday, March 18th, 2011

Date: March 24, 2011
Time: 6:30pm to 9:30pm
Place: Berkeley Piano Club 2724 Haste Street, Berkeley, CA 94704 (Convenient on bus and parking lot nearby)
Requirements: We are interested in casting Despina as a man but women are encouraged to audition as well. Women can sing either of Despina’s arias and men can bring an aria of their choice.
Cosi fan tutte will be performed outside with orchestra, costumes and in Italian at John Hinkel Park, Berkeley, CA on July 9/10 and 16/17. Rehearsals will be in Berkeley or Oakland and will start on June 20. Stage director: Olivia Stapp, Music Director Jonathan Khuner. Please go to the Doodle.com to sign-up for an audition.

Open Opera Receives Grant from the City of Berkeley

Thursday, March 17th, 2011

March 16, 2011
Ellen St. Thomas

Open Opera, a Berkeley-based nonprofit now in its third year of bringing professional quality, admissions-free opera concerts to Bay Area parks, received a two-year grant in August 2010 from the City of Berkeley’s Civic Arts Grant Program to support performances during its 2010- 2011 season. In the first year of the grant Open Opera brought a fully-costumed and staged performance of Mozart’s Don Giovanni to Berkeley, free of charge. This year’s lineup includes 4 performances of Cosi fan tutti to be held at Berkeley’s John Hinkel Park during weekends in July, along with a roster of free opera voice concerts to take place at parks throughout the East Bay.

“We’re bringing opera to the public for free in a time of economic uncertainty, and using public outdoor spaces to build community through the arts,” says mezzo-soprano Elizabeth Baker, also one of Open Opera’s co-founders and its Creative Director. Mothers with infants, retired couples, picnicking families and young adults all have been a part of Open Opera audiences in the past. Susan Wengraf, Berkeley City Council Member, District 6, adds, “Open Opera makes opera accessible to everyone, regardless of income. They offer an extraordinary opportunity to enjoy professionally performed opera to our community!”

Internationally- renowned soprano Olivia Stapp co-founded Open Opera in 2008 because “We wanted to return opera to its informal origins so a music lover can listen, walk around, or picnic during a performance.” Executive Director Ellen St. Thomas, the nonprofit group’s third co-founder, says Open Opera “makes opera accessible and enjoyable for a wider audience, without the cost or formality. The people of Berkeley have embraced Open Opera’s efforts with an outpouring of support for its performances so it’s a real honor for the City of Berkeley to become an official sponsor.”

Since its founding in 2008, Open Opera has produced four performances of Mozart’s masterpieces, The Marriage of Figaro and Don Giovanni, complete with period costumes and an orchestra at John Hinkel Park in Berkeley, seven concerts in Bay Area parks, (four concerts at Live Oak Park) and three master classes (held at the Berkeley Piano Club), all featuring international artists. The group estimates that its free public performances have reached an estimated 6,000 people in Berkeley and employed approximately 200 local singers, pianists, instrumentalists and craftspeople.

“What a treat to have Open Opera in the heart of our North Berkeley summer. Beautiful music. Beautiful setting. Hundreds of happy opera lovers. Thank you!” exclaimed Laurie Capitelli, Berkeley City Council Member, District 5.

Upcoming events:
May 21, 2011 at 3PM Opera Concert in the Park at Live Oak Park, Berkeley
July 9/10 and 16/17 at 3PM Cosi fan tutte, an opera by Mozart sung in Italian with English supertitles, fully staged with costumes and orchestra conducted by Jonathan Khuner, stage directed by Olivia Stapp at John Hinkel Park.

Oper ist Hochleistungssport

Thursday, March 17th, 2011

For those of you who understand German - this is an amazing reportage from
ARD this past Sunday - about Opera as a physical, psychological and
technical sport. Interviews with Jonas Kaufmann, Anja Harteros and others.

Well worth the view!!

Oper ist Hochleistungssport:


Missa Solemnis with Cantare Chorale

Thursday, March 17th, 2011

Mezzo-soprano, Megan Berti

Mezzo-soprano, Megan Berti

Megan will be premiering her first Missa Solemnis with Cantare Chorale. She was graduate of the SummerSong program which was produced by the Vocal Arts Institute, Open Opera’s fiscal sponsor. Megan is graduating in May from Eastman School of Music, Univ. of Rochester, with a masters in Vocal Performance. She will be participating in the Univ of Houston’s Moores School of Music Vocal Performance Certificate Program in the fall.

Ludwig van Beethoven
Missa Solemnis
Cantare Chorale
David Morales, Conductor

Kristin Clayton, Megan Berti, Thomas Glenn, Philip Skinner

Saturday, March 19 at 7:30 p.m.
Pre-Concert Lecture at 6:30 p.m.
Walnut Creek Presbyterian Church

On March 19th, the Cantare Chorale, with soloists and orchestra – over 150 musicians in all – will perform one of the most dramatic choral works ever written, Beethoven’s
Missa Solemnis. This masterwork reflects Beethoven at the height of his musical capabilities, placing physical and emotional demands on the performers that ultimately produce a setting of these liturgical texts that is both breathtaking and deeply profound. We are called by the
Missa Solemnis to assess our relationship to the Source of Life, our responsibility to one another, and the sincerity of our desire for peace. This is not to be missed!

Walnut Creek Presbyterian Church
1801 Lacassie Ave, Walnut Creek

General $40, Senior $35
Young Professionals $30, Youth $10
Tickets can be purchased online or through the office by calling 510.836.0789.

The Doctor and The Diva by Adrienne McDonnell

Wednesday, March 16th, 2011

Greetings from Adrienne McDonnell, author of the debut novel, THE DOCTOR AND THE DIVA (Viking, 2010). Two weeks ago, I had the pleasure of meeting you at the Master Class with Tomoko Okada. That night as I pushed open the gate and wandered down a garden path to the Berkeley Piano Club, I had no idea what a fascinating evening it would prove to be. The wood-panelled performance space felt cozy and inviting as Olivia Stapp sat down casually at the front of the stage, welcoming the audience and telling us with warmth and candor about her own experiences performing Mozart repertoire. I could have listened to her talk all night.

The six singers from Open Opera were wonderful, too — all strongly talented. I marveled at Tomoko Okada’s precision and gentle exuberance as she worked with each vocalist. At first she’d play and listen to a given aria, and when the vocalist reached the end, Tomoko would nod and lean forward, almost rising off the bench in eagerness, ready to exact more from each performer. She’d lift her hands from the keyboard and raise her palms upward toward the singer, urging: “Let’s try it this way, shall we?” As the phrases grew purer, more lit by emotion (the sounds surely closer to what Mozart may have heard in his mind), Tomoko nodded even more rapidly, clasping her palms together in approval. A singer’s progress made her breathless, nearly giddy. Finally she’d turn to the audience and say (of Papageno’s suicide aria, for example), “That’s better, isn’t it? Now you feel sorry for him.”

That evening I felt as if I’d stepped inside scenes from my novel. THE DOCTOR AND THE DIVA was inspired by my son’s great-great grandmother (an opera singer) and hundreds of pages of family letters. In 1903, this ancestor left her prominent husband and young son in Boston and sailed to Italy, risking everything to develop her operatic career.

Last summer when the hardcover edition was first published, Viking sent me on a national book tour. One of my favorite events was a lovely garden party in New Canaan, Connecticut where I read scenes from the novel, and a pianist and a mezzo soprano performed arias that my fictional diva sang.

More events, readings, and appearances will be scheduled this fall when the paperback version is released on October 25, 2011. I love the notion of infusing live music into such literary celebrations, and am very open to your ideas about how this might be accomplished. I live near Berkeley (in Kensington), and if you happen to read THE DOCTOR AND THE DIVA and feel any interest in participating in a Bay Area event — a literary/musical salon to trumpet the paperback release — please let me know.

Here’s the gist of a few reviews for THE DOCTOR AND THE DIVA:

“Some novels just naturally enslave you, and this is one of them…. serious and gripping… [a] brilliant debut novel…” — The Washington Post

“This amazing debut novel … is, quite simply, one of the best novels I’ve read all year.” — an Editor’s Choice selection, Historical Novels Review

“…sumptuous… [an] explosive tale… Read the book now, then place bets on when the movie version will come out.” — Redbook

Here’s a link to the full Washington Post review of THE DOCTOR AND THE DIVA:

Here’s the link to my author website where you’ll find a short video, along with a list of arias my heroine sings:


I’m quite impressed with Open Opera, and would love to hear back from any of you. Please forward this e-mail to the other singers who participated in the Master Class (Aimee Puentes, Eileen Meredith, Angela Moser, Torlef Borsting, and Ryan Bradford) — as well to the charismatic and remarkable Tomoko Okada — along with my thanks and congratulations.

Cheers and thanks to all,